Homer’s Iliad as epic rap battle takes nothing from modern culture and gives everything in exchange.
Joshua Forstenzer, University of Sheffield
Homer’s Iliad is one of the foundational stories of European civilisation. The Iliad is a long poem – an epic – thought to have first been put down in writing in the eighth century BC, though the story is set several hundred years before, perhaps as early as the 12th or 13th century BC.
It explores a few crucial violent weeks within a much longer war between an alliance of Greek city-states and the city of Troy over Helen, the most beautiful woman in the world. In it, we find ancient Greek gods and humans sharing a common reality. They concurrently star as the central characters of both a mythological and an earthly dramatic encounter, on which the fate of a people rests.
In his work, public philosopher Cornel West argues that there is a “gangster” inside all of us. The challenge, West teaches, is to learn to keep these “gangster elements” in check so that we can still live with decency and integrity in an often violent and unjust world. This struggle, I contend, is at the heart of both Homer’s Iliad and the art of battle rap.
Battle rap is an art form where two or more MCs confront one another in a freestyle rap that includes boasts, insults, wordplay and disses (related to but not to be confused with rap beefs like the Kendrick Lamar and Drake feud).
The history of this kind of verbal jousting goes back at least to flyting – poetic duels usually involving rhyming insults, widespread in northern Europe in the late medieval era. (See Assassin’s Creed Valhalla for its recent reimagining.) And it also has African roots. But its latest iteration is thought to have emerged in the hip-hop scene in New York in the 1980s. The 1981 Busy Bee versus Kool Moe Dee battle at the Harlem World club in New York is an important part of hip-hop lore.
It was arguably the 2002 film 8 Mile, however, that starred real battle rap legend, Eminem, that made the art form well known beyond hardcore rap aficionados. Today it is a pop culture streaming event, with millions of followers and official leagues.
The object of a battle rap is to display flow, braggadocio and quick wit. Humour is often a plus, but lyrically dexterous, rhythmic, creative “burns” are the name of the game.
So what do The Iliad and battle rap have in common?
Both art forms encourage us, the listeners, to react, reflect and ultimately select with which speaker to side. We are thrust into the centre of the action without much of a narrator to explain things.
Both the Iliad and rap battles are part of the oral poetic tradition, since we think The Iliad was orally recited for generations before it was put down in writing. They are therefore both addressed to a live audience.
The Iliad is a story of war between Greeks and Trojans, but also of “beefs”. Menelaus versus Paris over the hand of Helen. Achilles versus Agamemnon, the king of the Greeks who wrongs him by expropriating one of his slaves. And Achilles versus Hector, the Trojan prince who kills Patroclus, Achilles’s closest friend.
The high moment of the poem is arguably the encounter between Achilles and Hector. Before they battle to the death, Hector offers Achilles a deal: whoever wins won’t disrespect the other’s body.
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